Lesson 3 - For Starters, Master the Chords
Mastering piano chords is essential for a budding pianist, even if
you do not really intend to play on a professional level. That being
said, it is also true that once you become very familiar with the
chords, you will probably be good enough to entertain a good number of
people craving entertainment. And who knows, you might be able to build
up a fan base for yourself!
If you could only play one instrument in your life, choose the piano.
Why? Its because piano, considered by many as the ultimate musical
instrument, has a wider range of octaves and can actually produce a
variety of musical styles ranging from classical to jazz to rock. As
most musicians say, once you learn how to play the piano, you can play
any other type of instrument.
So now, you probably have an idea why learning piano chords is very
important. We cannot overstress the fact that once you will master the
piano chords, you will understand and will be able to play chords on
other instruments as well.
We learned what staves, flats, sharps, major and minor notes, musical
notation, crochets, minim and semibreve, and bars are. To produce music,
one must make use of and apply this knowledge. Familiarization with
these piano essentials will allow you to play simple lullabies and folk
songs as well as complex classical pieces.
On the other hand, if what you want is to simply provide musical
accompaniment to a melody or a song, then all you need is to get
comfortable with the piano chords. Chords are nothing but combinations
of musical notes, which also contain the route note of each chord. Each
combination has its own rhythm, melody, and mood. You will be surprised
at the number of chord combinations musicians came up with. You could
also create a combination yourself!
It is also important to remember that the mood of a particular song is
also determined by its rhythm, which consists of the crochets, minims,
and semibreves. Previously, we also discussed the rhythms 4/4, and 2/4,
and so on in bar. The piano chord accompaniment has to follow these
rhythm patterns while in play.
You will also remember the staves. The lower stave generally provides
the accompaniment. The notes are played using your left hand while the
right hand plays the melody part. Meanwhile, if you are providing
accompaniment to a pop song, for example, you can use both hands to play
the same chord on each side of the keyboard.
At this stage, you should be able to grasp another very important aspect
of piano --- that is the playing of scales. A scale is a set of notes
that moves up or down the musical alphabet. A song or a melody can
commence on any note or key of the musical alphabet --- for example, C,
D, E, and so on. The scale, or the set of notes, that should follow in
each instance will vary accordingly. This can be on white keys (major
notes), or on a combination of the white keys and black keys (sharps or
flats).
This one is easy to remember. Only the C scale will have all white
keys or major notes. Now if you try the octave of notes commencing on F
major, a white key, (which is above the middle C to your right) you
will note that if you continue to use white keys only, at one point it
sounds odd. This is when you play the note B. To correct this, you
have to play the black key
B flat instead, and again every thing will fall in to place. Similarly
in the scale of G, below middle C, the note F major has be changed
to F sharp.
Remember, a scale can have either flats or sharps in it but never both
in the same scale. A general tune that starts in the key F ends also
in F. Similarly in the scale G, the tune ends in the key G.
Now we will get to the subject of piano chords again.
The musical chords, as applied for a piece of music, are the same
whatever the instrument is. Whether it is a piano or a guitar, the
combination of notes is the same. The principal types of chords are
major chords
minor chords
diminished and augmented chords
All chords --- major, minor, or other --- are played in combination with
other chords, depending on the note progression of the melody (played
with the right hand). The chord changes (played with the left hand) are
brought in at critical junctures of the melody to enhance the quality of
the combined notes. The played chords must always be in harmony with the
notes of the melody. In playing chords, one must play the relevant notes
all at once.
The major chord roots can be A, B, C, and so on for all the major keys
in the octave. The C major chord is the most popular, mainly because the
beginner finds it easy to understand, along with the other chords in the
set. For example, the note combination for C major chord would be C,
E, and G, where all are white keys with one white key gap between each
finger playing the 3 notes. The change in C will be either to F
major or G major, depending on the song or the melody. Both can be
played with the same finger arrangement but starting from the root note
either F or G.
Every major key has a relative minor key. For example, in the major key
A, the key combination is E, A, and C# If instead of C # one
plays the note C, the whole character of the chord changes to A
minor, which is, in fact, the minor key relative to C major. As with the
major chords, each minor chord has a triad, or three chords set, used in
the accompaniment of melodies based on that minor chord. In the case of
the A minor, the set of chords is A minor, E7, and D minor.
Here, the E7th is formed by the notes combination of B, E, G# and D.
The D minor is formed by the notes F, D, and A.
There are 3 diminished chords which use 4 notes in each, and 4 augmented
chords that use 3 notes in each. Interestingly, the nomenclature for
these could be any one of the constituent notes of each chord.
Now that you have some understanding of the chords, the learning process
becomes so much easier. But keep in mind, that practice makes perfect.
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